[Read.QOLu] Opera and Modern Spectatorship in Late Nineteenth-Century Italy (Cambridge Studies in Opera)
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At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of WWI. Loot.co.za: Sitemap 9781934840252 1934840254 Cvn-74 John C. Stennis U.S. Navy Aircraft Carrier W. Frederick Zimmerman 9781436870344 1436870348 Hilda - A Story of Calcutta (1898) Sara ... Opening Receptions - Chicago Gallery News - Events Continuing a long architectural history of projecting possible futures Back to the Future: Visualizing the Arts at UIC presents three speculative architectural ... Cunt [matthewhunt.com] Reappropriating Cunt 'Cunt' may be the most offensive word in the English language though there have been many attempts to reappropriate it. This ideology which was ... Articles David Campany Curated by David Campany and Denise Wolff this large show explores the long history of photographers going on the road in north America. It includes the work of ...
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